المصاحبة اللغويّة في ديوان "لا ماء في النهر" لناصر البدري

Modern literary criticism has an important role in the aesthetic taste of literature, as it investigates the connotations produced by texts and compositions. Linguistic accompaniment is one of the most important methods of modern criticism through which we can access the connotations carried by linguistic structures. In its simplest definition, it is a single coming with another single. This study, with its descriptive-analytical approach, aimed to show the linguistic aesthetics and patterns of the Omani poet Nasser Al-Badri used in his book "la maa fi Al-nahr" and determine its connotations in the light of companionship. We have concluded that Al-Badri, through the verbal companion, was able to get the vocabulary out of its narrow lexical connotations into several connotations, as he is unfamiliar to the words and composed artistic synergies between them. The verbal accompaniments in the Diwan varied between the nominal style and the actual pattern, and the accompaniments prevailed with the character of despair and sadness, which indicated that the poet did not find a stronger way to indicate his sadness and regret except through unfamiliar accompaniments and the creation of new suggestions that indicate the burdens of.

Keywords: Contemporary Arabic poetry, linguistic companion, Nasser Al-Badri, Diwan “la maa fi Al-nahr”.