التشكلات الهووية ودورها في حركية الانتقال والإنجاز في رواية "السحرة"ج1،ج2 لإبراهيم الكوني

This study aims to focus on the narrative in the Libyan novel, particularly in the novel "Witches" by Libyan writer Ibrahim al-Kony, which is one of the most embodied accounts of the hidden worlds of the Arab self, by tracking the stages of the narrative plan of the sard to see the movement of the self-factor towards achievement and realization of the subject. From the perspective of the semiotics of whims.

 The study concludes that the aerobic calligrapher in Ibrahim al-Kony's novel "The Witches" formed the hierarchy of fancy from the deep level to the superficial level of the air self. 

Keywords: Identity formations, narrative calligraphy, novel, factor, self, transition and achievement.